First of all was the issue of the baritone singer/actor who not only is performing in a show but had an audition where he had to sing and act a lyrical ballad. I reminded him that he was not just a voice. This young man, as we all are, is a three mode performer. He is a very strong actor, who has a face, voice, and body that can communicate the truth of his song and his character if he trusts them. Sometimes, we are not able to rely on "the voice" being there 100% so we have to ask more of the rest of our instrument to help us out in an audition or performance situation when there is no understudy or opportunity to change an appointment or canceling is not an option. I also suggested he "take it easy" with both his audition song and his song in the show and see what happens. My student took this advice to heart and got wonderful results in both situations.
The other two students who were under the weather were doing recordings and I gave them different advice for very different reasons. One I told to put off her recording, because it sounded like she had actually done some minor, temporary damage to her voice by talking too loudly too soon after being ill and she is a heavy-duty R&B singer at the beginning of a very promising career. The other student is the young soprano I mentioned in an earlier blog, who is at the finishing stages of recording her demo CD and had some "fixes" to do. Just because she wasn't 100% it didn't seem like there was any reason to not try to go into the studio and listen to what we had and try to fix what we could. Despite her fatigue and the fact that she was recovering from a cold, knowing that the "finish line" was in sight and hearing the inspiring sounds she had already made in the previous recording sessions, she managed to do some pretty incredible singing that evening.
And what have I been doing for my cold? Water, water, water, water, water. Rest, rest, rest, rest.
Musinex, every twelve hours. Chicken soup.
